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Complete Works 1951-1987
This digital catalogue raisonné presents the complete documented works of Ronaldo De Juan (1930-1989), compiled through extensive archival research. Each entry follows museum cataloguing standards with verified provenance and technical specifications where available.
Helen Gould Sheppard Professor of Art History at NYU's Institute of Fine Arts and a leading authority on Latin American and Caribbean art. Author of numerous influential books including The Language of Objects in the Art of the Americas. For over three decades, Professor Sullivan has championed the study and exhibition of modern and contemporary Latin American art, curating groundbreaking exhibitions at major institutions including the Brooklyn Museum, El Museo del Barrio, and the Guggenheim. His scholarship on Caribbean visual culture, particularly his seminal works on Francisco Oller and Puerto Rican art in the era of Impressionism, has fundamentally shaped our understanding of artistic exchange between the Caribbean and international modernism. As a Guggenheim Fellow and recipient of the College Art Association's Distinguished Scholar Award, his endorsement of this catalogue represents the highest level of scholarly validation. Click here for selected publications →
This catalogue would not be possible without her exhaustive efforts and meticulous research. As Ronaldo De Juan's goddaughter, her work ensures his artistic legacy remains accessible to scholars and collectors worldwide.
The artist's widow provided connections to many collectors of her husband's work. Most importantly, she introduced the project to Etienne Nouvellet, a French architect who originally started organizing this catalogue raisonné for Ronaldo De Juan because he purchased the artist's work from Galerie Paul Facchetti in Paris in 1966.
Mauro serves as the Chairman of Fundación Espigas and oversees its Documentation Center, dedicated to preserving and cataloging historical documents related to the evolution of Argentina's visual arts. As an ardent art enthusiast, he has actively participated in various museum and foundation boards, advocating for Latin American art. He previously held the position of Chairman at arteBA and later served as the institutional director of the Pinta art fair in both New York and London.